Dated to between 1312-1327 this image of St Peter is in the chancel of St Nicholas church, Stanford-on-Avon, Northamptonshire.
This panel forms part of the fine brass monument commemorating Laurence St Maur (d1337), a work of delicate medieval craftsmanship and deep devotional symbolism. At its centre stands the figure of Abraham, robed in solemn majesty. His right hand is raised in benediction, bestowing a gesture of eternal peace, while in his left he holds a globe — a symbol of divine dominion and the heavenly kingdom to which the faithful soul ascends.
This image of St Peter is part of the east window at Gloucester cathedral. The glass dates from 1350 when Edward II had the Abbey church of St Peter rebuilt. The image shows Peter holding a model of the church and the keys that he is usually associated with.
This stained glass window contains panels from the early 14th century, in addition to heraldry and donar figures from the mid 13th century. The main images from left to right are St Foy, Crucifixion, St Peter, and St Albinus of Angers.
These stained glass panel are dated from about 1400, and contain an Annunciation scene in the left lancet, and St Peter, and Peter Beaublé bishop of Uzès, the kneeling donor figure, in the right lancet.
This tempera painting on wood depicting the "Deliverance of St Peter" (c1430) is by Giovanni dal Ponte. Currently in the Uffizi Gallery it was originally part of an altarpiece in the church of Santa Trinity.
This low relief sculpture showing "Saint Peter's miraculous escape from prison" (c1439) was created by Lucca della Robbia. Now in the the Bargello Florence it was orginally part of the altar of St Peter in the Catherdral.
Detail of crucifixion scene in the cell reserved for Cosimo de' Medici that consists of images of St John, St Peter, the Virgin Mary, and St Cosmas at the foot of the cross.
This painting (1445) of the Madonna and Child is by Giovanni di Paolo di Grazia and can be found in the Uffizi Gallery Florence. The painting also contains images that represent Saint Dominic, Saint Peter, Saint Paul, and Thomas Aquinas.
Stained glass panels depicting St James the Greater, and St Peter. These panels (1475-1480) are two of the lancet windows below the rose window in the south transept.
Medieval stained glass depicting six of the twelve apostles at Great Malver Priory.
From left to right are Saint Thomas, Saint James the Greater, Saint Peter, Saint John, Saint Andrew, and Saint Philip.
Death of St Peter, crucified upside down. French Renaissance stained glass by Nicolas le Prince in the church of Saint-Etienne Beauvais.
The vision of St Peter in Joppa. French Renaissance stained glass dated 1548 by Nicolas le Prince in the church of Saint-Etienne Beauvais.
This exquisite stained glass window, crafted in 1548 by Nicolas Le Prince, captures the moment of divine calling, Jesus summoning the brothers Peter and Andrew to follow him. A masterpiece of the French Renaissance, it adorns the Church of Saint-Étienne in Beauvais, radiating both spiritual intensity and artistic refinement.
This stained glass panel of Saint Peter in the Church of Saint-Jean-Baptiste at Montrésor, dates from around 1550, and forms part of the large west façade window above the main doorway. This window, composed of three lights, depicts Saint Peter, Saint John the Baptist, and Saint John the Evangelist beneath elegant architectural canopies. The panels were restored in the 19th century after suffering damage during the French Revolution of 1793; the restoration work was carried out by the Parisian glassmaker Eugène Oudinot.
This low relief sculputer depicting the "Martyrdom of St Peter" (1683) is by Giovanni Battista Foggini and can be found in the church of San Gaetano, Florence.
These four stained-glass panels, created by the renowned Victorian firm Clayton and Bell, adorn the clerestory of the quire in Gloucester Cathedral. Set beneath graceful Gothic canopies, they depict four of the apostles, St Peter, St John, St James the Greater, and St Andrew, each rendered with the luminous colour and devotional precision characteristic of the High Victorian Gothic Revival.
This stained glass window by Charles Eamer Kempe, at St Peter's Market Bosworth Leicestershire, is an example of late Victorian Gothic Revival art, depicting Saints George, Peter, and Margaret in three tall, richly colored panels. Each saint stands beneath an elaborate architectural canopy, rendered in delicate tracery and glowing jewel tones that catch and filter the light with remarkable depth.
Stained glass image of St Peter from Dunstable Priory.
Saint Paul and Saint Peter. Basilica of St. Thérèse of Lisieux mid 20th century mosaic.