The central light of w.210, at Bourges Cathedral, depicts Saint Barnabas, one of the prominent missionary figures of the apostolic age. He is shown bearded, haloed, and robed in rich lapis blue with ruby highlights. His right hand gestures in address while his left holds a book, marking him as a preacher of the Gospel.

Barnabas’ panel is the most opulent of the trio, with a foliate geometrical background of fleur-de-lys-like motifs and interlacing lozenges that frame the figure with regal splendour. The surrounding ornamentation underscores Barnabas’ biblical title as “a good man, full of the Holy Spirit and of faith” (Acts 11:24).

Iconography

Although not one of the Twelve, Barnabas appears frequently in medieval apostolic cycles. His association with St Paul and early missionary journeys made him a natural inclusion in lineups intended to emphasise orthodoxy, unity, and apostolic authority. Here, his central placement implies a balancing role between James and Thaddeus.

Stylistic Notes

• Particularly fine facial painting with stippled shading typical of the Bourges Master of the Apostles.

• Rich, densely patterned borders signalling the central importance of the figure.

• Complex drapery, layered and emphasised with heavy black-brown vitreous paint.