This stained glass window, designed by Henry Holiday and made by James Powell & Sons (Whitefriars Glass) in 1891, is a beautiful example of late Victorian ecclesiastical art in the Aesthetic–Pre-Raphaelite style.

The composition shows two Old Testament figures, Sarah (left) and Hannah (right), each known for their long-awaited motherhood and faithfulness to God. Both women are rendered in a dignified, contemplative manner, characteristic of Holiday’s sensitive treatment of biblical subjects.

Sarah, the wife of Abraham, holds a red vessel in her hands, perhaps symbolizing offering or domestic devotion. Her pose and expression convey quiet strength and reverence. At her feet lies a water jar, grounding her in a scene of humble service.

Hannah, mother of Samuel, is depicted with hands clasped in prayer, her gaze lifted heavenward in serene supplication. The gesture echoes her biblical prayer in the temple, when she vowed to dedicate her son to God.

The two figures are clothed in flowing robes of pale silver and gold tones, intricately patterned with floral and foliate designs that reflect the Arts and Crafts love of nature and textile detail. The rich cobalt-blue background enhances the luminosity of the figures, while delicate architectural canopies above frame the pair with gothic tracery and ornamental motifs.

Holiday’s style is immediately recognizable here, naturalistic faces, graceful drapery, and restrained yet profound emotion. The overall effect is one of quiet piety and refined beauty, expressing both human tenderness and divine faithfulness.