This elegant Neoclassical funeral monument, located in the portico of the Camposanto Monumentale within Pisa's Piazza dei Miracoli, commemorates Anastasia Petri-Schouvaloff (dates uncertain, likely 18th–19th century).
Monument to Charlotte Elizabeth Digby (d1820) by Francis Leggatt Chantrey. Charlotte Digby was the wife of William Digby, prebendary of Worcester Cathedral.
Tomb of Dante Alighieri (d1321) by Ricci Stefano (c1825).
Historic locations in Italy and Sicily.
This tomb of Princess Louise of Stolberg-Gedern (d1824) is situated in San Croce Florence
This tomb, dedicated to Niccolò Machiavelli (d1527), was created by Spinazzi Innocenzo in 1787, and is in Santa Croce Florence.
Tomb of the Italian engraver Raffaello Sanzio Morghen (d1833) in Santa Croce Florence.
The story of stained glass in England is one of both loss and renewal. The medieval and Renaissance centuries had produced a luminous synthesis of theology, craft, and architecture, an art that translated divine light into visible doctrine. Yet, with the Reformation and subsequent waves of iconoclasm, much of this splendour was extinguished. For nearly three hundred years, the craft languished, its techniques fragmented and its spiritual vocabulary forgotten
Count Vittorio Alfier (d1803) was an Italian poet and dramatist who wrote some 19 tragedies between 1775-1787.
