St Luke’s church at Cold Higham is a C13 building with a Norman saddleback roof tower. Currently on the “Heritage At Risk Register” which states that “structural movement to the east end has occurred leaving the masonry vulnerable to water ingress and there is erosion of all ironstone; this is a particular concern at high level on the tower.” On the outside wall on the south side of of the chancel is a C14 tomb recess.

The church yard contains a number of C17 and C18 grave stones.

The three light curvilinear east window dates from the early C14, and the south wall has a leper squint into the south chapel, which is now blocked by the tomb monument to Sir John de Patteshall (d1349). See also Radstone. The nave is of 4 bays.

The tomb consists of an effigy of a cross legged knight made from oak, with the knights feet resting on a lion.

There are two windows containing victorian stained glass a 1-light window of Matha and Mary with Jesus, and a 2-light window depicing Mattew and Mark.

The church of St. Leonard at Aston le Walls is mostly early C14. The base of the tower is C12/C13, as are the two south aisle windows to the right of the porch which are also early C13. The porch itself is C14 and was restored along with the rest of the church in 1870 and 1881/2 by J.M. Townsend.

The north wall of the chancel contains an C14 stone effigy of a priest, which is thought to be John de Ardele who was the priest of this church in 1348. There is also a Tudor style brass monument dedicated to Alban Butler (d1609) on the north wall.

The square stone font is Romanesque and carved with a knot pattern and the Tree of Life.

At the est of the north aisle is an inscribed tablet of white marble with black Ionic half columns, and bust on top, dedicated to Elizabeth Orme (d1692).

St. John the Baptist is built of Limestone and Shale and dates from the C13 and C14, with the addition of a C17 porch. The chancel arch is double chamfered chancel arch and 4 bayed nave.

The west tower and door are C14 as are the corbel heads in the nave roof.

North aisle stained glass featuring decapitation of John the Baptist.

East window.

The west tower is around 150ft high. The south doorway is original of c1300, and most of the windows are of the Geometrical Gothic style of the same period, but they were renewed by Sir George Gilbert Scott in 1865.

The painted roof has Perpendicular style head corbels.

The Perpendicular style is also relected in the font and pulpit. However, the body of the church is in the Decorative Gothic style dating from 1325-1335.

However, what makes Middleton Cheney is the stained glass work by Morris & co. The west window has a piece entitled “Three young men in the fiery furnace” by Burne-Jones.

The East window memorial to William Croome (d1865). Designed by William Morris Co 1864.The figures below the tracery lights represents the twelve tribes of the Apolcalypse. Below are representations off Adam, Noah, David, Isiah, St Peter, St. Paul, St Augustine, St Catherine, Abraham, Moses, Eve, the Virgin, Magdalene, and St. Agnes.

The Censing Angels, Seraph, St. Peter, St. Augustine, St. Catherine, Eve, the Virgin, Magdalene, and St. Agnes are by William Morris. The four beasts, and the banners are by Philip Webb. The Adoration of the Lamb and St Alban are by Burne-Jones. St. John and St. Paul by Ford Madox Brown. The twelve tribes, David, Isiah, Abraham, and Moses by Simeon Solomon.

The south window of the chancel contains panels by Ford Madox Brown depicting scenes from the old testament. The tracery light is by Philip Webb.

The two north chancel windows were designed by Burne-Jones as a memorial to his friend W.C. Buckley who was the vicar.

In addition to the stained glass the church also contains mosaics by the company of James Powell & sons.