John Hardman and Co., installed a number of stained glass windows in Gloucester Cathedral during the 1860s, and in the north and south transepts there are some large studies on the Life of St Paul ⓘ and St Peter ⓘ in the 1870s. The cloisters in particular contain a large number of stained glass windows dating from the 1860s including a large extent of glass in the Lavatorium in the north arcade, and other scenes in the east arcade.
This stained-glass window is the Good Samaritan Window at St Mary’s Church, Lutterworth, Leicestershire, designed and made by the firm of Burlison & Grylls, one of the foremost English stained glass studios of the late 19th century.
Grisaille design by Noël Lavergne Church of Saint Hilaire Châteauvieux.
South chancel lancet windows by Edward Burne-Jones dedicated to Countess Adelaide Spencer (d1877).
John Hardman and Company, began to design and manufacture stained-glass windows in 1845, following a partnership with Augustus Welby Northmore Pugin to produce metalwork for St. Chad's Cathedral, Birmingham. In the early days Pugin was the principle designer.
Hardman window of 1888 shows Jesus healing the sick.
Clement Heaton, a glass painter, and James Butler, a lead glazier, went into partnership in 1855 to make stained glass. Initially they shared premises with, and provided technical assistance to Clayton & Bell. Robert Turnill Bayne, a Pre-Raphaelite artist, joined the company in 1862, and became their chief designer.
Henry Holiday (1839–1927) was an English painter, illustrator, sculptor, and one of the most significant stained-glass designers associated with the later Pre-Raphaelite circle. Although not a member of the original Pre-Raphaelite Brotherhood, he was closely connected to its ideals and leading figures, including Dante Gabriel Rossetti, William Morris, and Edward Burne-Jones, and shared their commitment to medievalism, craftsmanship, and imaginative design.
Holland of Warwick, located on [no-glossary]St John ⓘ's[/no-glossary] road Warwick were stained glass makers during the second half of the 19th century. In the 1850s they were one of the main manufacturers in the depressed town. At this time they were a 'stained glass and decorative painting establishment' that specialized in the 'design for monumental and baronial windows, enamelled and encaustic painting, gilding, imitations of wood'. They also employed Clement Heaton as a designer in the early 1850s before he moved to London to start his own company with James Butler in 1855.
This Hardman & Co. (1892) window depicts Jesus in discussion with the temple Elders
