The east window at Breedon-on-the-Hill presents a six-scene typological scheme (type–antitype), pairing episodes from the Old Testament with their fulfilment in the life of Christ. The arrangement emphasises continuity between Mosaic law, patriarchal obedience, and the Passion.
East window by Burlison & Grylls. Holy Cross, Byfield.
East window at Old Arley by Burlison & Grylls. In the lower left panel St. Wilfred holds a model of this church.
Triptych by Noël Lavergne depicting the Nativity, crucifixion, and resurrection.
"Adoration of the Magi" by Heaton, Butler & Bayne (1869).
The four stained glass panels designed by Henry Holiday and made by James Powell & Sons (Whitefriars Glass) in 1891 form one of the most refined and spiritually resonant decorative ensembles in Salisbury Cathedral. Conceived as a unified series, they portray eight women of Scripture, Sarah and Hannah, Mary the Virgin and Mary the Mother of James, Mary of Bethany and Mary Magdalene ⓘ, and Ruth and Esther, each pair chosen to express a distinct yet harmonizing aspect of faith, devotion, and divine purpose.
Faith, Hope, and Charity by Heaton, Butler & Bayne (1896). Staverton.
Founded in 1873 by Julien Fournier in Tours (in association with Armand Clément), the Atelier Fournier became one of the most prolific provincial glass-studios of late-19th-century France. Working within the Gothic Revival tradition, the studio supplied numerous parish churches throughout the Loire Valley and beyond
In 1893 the painter Jacque Galland and glassmaker Espirt Gibelin won a competition to create 10 stained glass windows, at Orleans Cathedral, depicting the life of Joan of Arc.
This tomb in Worcester Cathedral is of Lord George Lyttelton (d1876) by James Forsyth.
