17th century church monuments
/info/section/church-monument-art-17th-century-church-monuments/john-needham-tomb-litchborough
Church brasses, tomb chests, effigies, and sculpture from 1600 - 1700AD.
/info/section/church-monument-art-17th-century-church-monuments/john-needham-tomb-litchborough
Church brasses, tomb chests, effigies, and sculpture from 1600 - 1700AD.
These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.
Baroque sculpture, flourishing from the late 16th century to the early 18th century, is a vibrant and dynamic art form that emerged during the Counter-Reformation, particularly in Italy, to inspire faith and awe among the faithful. Characterized by its dramatic intensity, bold movement, and emotional depth, this style contrasts with the balanced harmony of the Renaissance.
The first sequence of sculpture around the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1519-1521. Sculpted from the hard limestone from the Tonnerre quarry, they consist of scenes from the Gospel of James, depicting the annunciation of the Virgin Mary ⓘ to Joachim and St Anne, the birth of Mary, and the presentation of Mary in the temple.