Stained glass panel (1338-1340) depicting Hugh Despenser the Younger who was married to Eleanor the sister of Gilbert de Clare. Hugh Despenser became the favourite of Edward II but was especially disliked by Queen Isabella, and executed when Edward II was deposed in 1326.
After the execution of Hugh Despenser his remains were gathered together and buried here in Tewkesbury. The tomb once contained over 40 statues, all of which have now gone. The current tomb in the alcove is that of Abbot John Cotes (d1337) which was moved into this location in the 17th century.
This tomb of Hugh and Elizabeth, in the chancel of Tewkesbury Abbey, is of alabaster and the effigies are portraits of them both. The canopy once contained 26 statutes and was considered one of the finest in England.
The western most window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Isaac ⓘ, Joseph, and Moses. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
This wall monument, erected in 1820 in Salisbury Cathedral, commemorates James Harris, 1st Earl of Malmesbury and was sculpted by Francis Chantrey ⓘ, one of the leading figures of British Neoclassicism.
This Hardman & Co. (1892) window depicts Jesus in discussion with the temple Elders
Tomb of John Beauchamp of Holt and his wife Joan. He was tried and convicted of treason by the Merciless Parliament in 1388, then hanged and beheaded at Tower Hill.
This 19in high brass monument is dedicated to John Cressy (d1414) and his wife Christine, can be found in the churchj of St Mary Dodford, Northamptonshire.
Alabaster tomb of Sir John Cressy (d1445) Dodford, Northamptonshire. The sides of the tomb chest have angels holding shields, and the offices he held in France are listed around the top edge.
At Yelvertoft Northamptonshire is the tomb of John Dycson, who served as rector of Yelvertoft from 1439 to 1445, is a fine example of 15th-century English funerary art in the Perpendicular Gothic style. The monument consists of an alabaster effigy resting upon a low tomb chest, its sides richly decorated with panels of quatrefoils and other intricate tracery characteristic of the period.
