The north-aisle east window at Middleton Cheney contains two major stained-glass figures designed by Ford Madox Brown in 1880 for Morris, Marshall, Faulkner & Co. These works represent some of Brown’s finest ecclesiastical contributions and exemplify his distinctive approach to figural design, which differs markedly from that of colleagues such as Burne-Jones.
The stained glass of Great Malvern Priory survives in unusually varied condition and represents several distinct phases of glazing activity spanning the fifteenth century to the present day. Together, these windows form a layered visual record of patronage, devotion, restoration, and renewal within a single ecclesiastical site.
In the east arcade of the cloisters are two windows depicting the temptation of Christ. These windows were made in the 1860s by John Hardman and Co.
"Three young men in the fiery furnace" Edward Burne-Jones (1870).
This window by Hardman (1892) is Christ in Glory with the prophets Moses and Elijah to the left and right.
This window by CE Kempe was installed in the South Aisle Chapel in 1897 to commemorate the Diamond Jubilee of Queen Victoria. The window was paid for by subscription from the women of the parish.
Window at Middleton Cheney were designed by Burne-Jones (1893) as a memorial to his friend W.C. Buckley.
This window by Hardman (1892) is Christ in Glory with the prophets Moses and Elijah to the left and right.
Memorial Window to William Walter Slye by CE. Kempe (1906) - All Saints, West Haddon.
The earliest stained glass window installed by Hardman, in Worcester Cathedral, is the three light Ressurection window installed in the north aisle in 1861. This eight light west window, however, is one of Hardman's larger works in the UK. Designed by George Gillbert Scott, it was installed in 1875, and depicts the creation.
