This south chancel window at Wolston, designed by Herbert Bryans ⓘ, is a two-light composition dated by inscription to 1902 and belongs to Bryans’s early independent period following his departure from the Kempe studio.
The upper lights present two standing figures beneath tall Gothic canopies, arranged as a typological pairing concerned with prophecy and fulfilment.
Constructed between 1437 and 1521, the Church of Saint-Maclou occupies a central place in Rouen’s urban and spiritual landscape. The façade, rising before the narrow medieval streets, is one of the most refined expressions of the Flamboyant Gothic, a style characterized by intricate tracery, dynamic ornament, and an almost musical rhythm of line.
This two-light stained-glass window depicting the Three Marys at the Tomb, dated 1917, is attributable to Burlison & Grylls ⓘ and belongs to the firm’s late ecclesiastical output during the First World War period.
The composition presents the moment immediately following the Resurrection, as described in the Gospels, when the holy women come to the tomb and receive the angelic announcement that Christ has risen.
This stained-glass window depicting the Transfiguration of Christ was made in 1887 by Burlison and Grylls and presented to the church by Lady Cicely Clifton. It follows a well-established iconographic scheme, arranged in two registers beneath a Gothic architectural canopy.
This Tree of Jesse (1522) in St-Étienne, Beauvais is considered to be one of the major works of Engrand Le Prince. Unfortunately the lower part of the window was destroyed in 1793 (year II of the Republic), when the church was used as a store house.
1908 stained glass window by Powell & sons (Whitefriars) depicting an angel greeting the two Mary's in front of the tomb.
