16th century

Abbot John Chambers - Peterborough Cathedral

Effigy of John Chambers (d1556) last abbot and first bishop of Peterborough. Described in the 17th century as being exquisitely carved, with a mitre and robe, and feet resting on a lion, this effigy was mutilated during the English Civil War.

 

Adrien Hénencourt monument - Amiens Cathedral

Monument of Adrien Hénencourt (d1530) at Amiens Cathedral. This monument is below the choir screen (1490-1530) depicting the life of St Firmin that canon Hénencourt was responsible for commissioning.

Anup Talao and Pavilion

Completed in 1576, the Anup Talao, or peerless pool, is in the Mahal-i Khass courtyard near to the Khwabgah (Royal apartments). Made of red sandstone this square water tank, has four bridges that lead over the water to a central platform surrounded by a jali balustrade.

 

Ascension, Descent into Hell

Ascension, Descent into Hell

These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.

 

Baroque Sculpture

Raphael and Tobias Baroque sculpture, flourishing from the late 16th century to the early 18th century, is a vibrant and dynamic art form that emerged during the Counter-Reformation, particularly in Italy, to inspire faith and awe among the faithful. Characterized by its dramatic intensity, bold movement, and emotional depth, this style contrasts with the balanced harmony of the Renaissance.

Birth of the Virgin Mary and Childhood

 

The first sequence of sculpture around the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1519-1521. Sculpted from the hard limestone from the Tonnerre quarry, they consist of scenes from the Gospel of James, depicting the annunciation of the Virgin Mary to Joachim and St Anne, the birth of Mary, and the presentation of Mary in the temple.

 

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